Re-engineering Content for An Omnichannel Experience

Re-engineering Content for An Omnichannel Experience

The omnichannel experience is promoted as the ideal marketing approach for customer satisfaction. Communication of the right message, in the right place, at the right time. But, as a report from Forrester suggests, it’s not as simple as just flicking a switch.

In Omnichannel Strategies Demand A New Content Approach, (part of our Omnichannel Marketing in Practice series), Forrester analysts reveal why the content can suffer when marketers try to push ahead with an omnichannel strategy before everything is in place. Even plug and play technology isn’t the answer, as the content architecture often needs a full review before it can fit neatly into the new approach.

In this report, you will discover:

  • That breaking down silos remains a priority in order for technology to function well

  • How unifying content systems and production processes streamlines output and derives more value from existing assets

  • Why modular content paves the way for individualization and on demand creation

But this is just a taster! Forrester also provides guidance on on how to engineer content creation for the omnichannel experience , how to prepare your organization for omnichannel content, and even which steps are needed in order to get the project underway. These core concepts and key buidling blocks provide a deep dive into the topic which will set you off on the right track when preparing your content for its omnichannel journey.

With censhare at the heart of the article-based production Hearst UK controls all print and digital media and achieves a massive cultural change.

Getting Started with Omnichannel Marketing

This censhare whitepaper guides you step by step through the stages of becoming an organization that routinely benefits from omnichannel customer engagement.

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Morag Cuddeford-Jones Morag Cuddeford-Jones

Morag has been a marketing journalist and editor for 20 years but is still trying to convince herself that she doesn’t look it. She came to journalism after a brief flirtation with the music and entertainment industry, which ended when she discovered that she nurtured a passionate dislike of any tunes not produced in 1985.

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